See our Specialist Site for cruise ship entertainment

Showcase review

Quality Assurance

Prima Artists -  proud to be a full member of the National Entertainment Agents Council

 

Member of The Federation of Small Businesses

 

£2M Public Liability Insurance

Media

Audio and Video Files in this site are encoded to stream in Windows Media Player

Get Windows Media Player

From   29th June 2006

  Prima Artists Entertainment Showcase - Review - 

Madame Jojo's London
May 23
Featuring : Damon St James, Sav, Jane Shaw Cunningham, Mr Williams, Drew Cameron, Kevin Fitzsimmons, Opposite Attraction, Ian Marchant, Rhythm'n'Smooch, Passionate Strings, Mike Hatchard, Dirrty, Funky Divas, Celia Graham, Paul Baker


Madam Jojo's in Soho proved to be a marvellous venue to showcase this seasons's troupe of top entertainers from the Prima Artists stable.  The intimate atmosphere of this cabaret bar played host to several of Prima's finest mix and mingle artists, all of whom worked the room to the delightful lilting solo guitar of Damon St James adding to the relaxed ambience of the event.

An import from the USA, St James' superb mix of smooth Latin rhythms and delicious jazz classics made for a perfect musical backdrop to the afternoon.  The audience were treated to a mixture of magic and mystery with conjuror Sav mesmerising the audience with his sleight of hand, while elsewhere psychic Jane Shaw Cunningham predicted what the future dealt to amazed individuals.

The onstage entertainment opened with a bang as Prima offered us a tribute to that most contemporary of entertainers Robbie Williams.  In Mr Williams they have a sharp impersonator with a voice to match the illusion, who manages to convey the appealing arrogance of the real thing.  Accompanied by two high energy dancers, Mr Williams tripped off a medley of some of his most popular numbers.

These showcases can be a minefield for comedy acts and versatility is the key to working in front of such a critical audience.  Fortunately Drew Cameron's range enabled him to swiftly move with the atmosphere of the room, gauging our reactions and tailoring his act to suit.  While his impressions were sharply observed and executed - particularly his Graham Norton - the artist really came into his own as compere in the second act, showing us his quick wit and ability to improvise with the best of them.

There is much more to being a tribute act than the right make-up and costume, as is proved by the marvellous Kevin Fitzsimmons.  His Sinatra relies ostensibly on a remarkably astute vocal tribute.  With a perfectly natural timbre to his voice he immediately conjures up Old Blue Eyes in his glory years.  His choices for the afternoon were impeccable, offering the audience a glimpse at Sinatra the lounge singer, with the familiar Witchcraft to open, I'm in Love and closing with the louche, almost melancholy One More for the Road.

Opposite Attraction had flown in all the way from Spain to give us a glimpse of their truly unique international act. Mixing music, magic and comedy this international couple stunned the audience with levitation, a knife act and, later a selection of amazing mind-reading tricks incorporating live music.  In a mystical take on an old favourite, the couple seemed able to name that tune with no musical clues whatsoever.

Ian Marchant managed to keep up an amusing dialogue while demonstrating his skills as a juggler.  Juggling seemed only a minor part of the act, however, as Marchant proved equally adept at ball spinning and the peculiar art of hat manipulation.

Classical music was given an edge with a selection of strings, reed and keyboard.  Rhythm'n'Smooch have a unique, stylish act that is apparently a favourite of the Royal Family.  Their particular blending of flute and oboe, crossed with colourful costumes, witty repartee and music from an Irish Jig to Abba make for an exciting combination.

The same may be said for Passionate Strings as two virtuoso violinists, brimming with energy and visual flair, they mix up a medley of both classical and contemporary pieces for a discerning audience.  The keyboard is left in the versatile hands of Mike Hatchard a rare talent combining a Stilgo-esque mix of original comic numbers - Death by Chocolate was a real treat - and a selection of improvised musical tricks designed to bring the house down.


Prima have selection of tribute acts in their collective and opening Act II we were treated to the very talented Jeni Jaye with the wickedly named Dirrty a tribute to that raunchiest of divas, Christina Aguilera. Jaye's slick dance routines coupled with a belting vocal range certainly capture the essence of her idol.


When it comes to foot tapping get up and boogie fun, however, you would be hard pushed to beat the Funky Divas. Three of London's top session singers combined to belt out funk and pop classics in an array of sexy outfits and demonstrating a jaw-dropping vocal power and range - easily one of the highlights of the afternoon.

It's always great to see a decent crossover of variety and straight theatre and Prima supplied the goods with  the delightful Celia Graham.  Direct from the West End, Graham's soaring soprano gave us a classic mix of operatic arias and a number from Lloyd Webber's Phantom, displaying the purity, strength and surprising maturity of this charming young lady's voice.

Closing the show, we were treated to the rich melodic voice of Paul Baker with a lively, dynamic rendition of Have You Met Miss Jones?   Baker, more familiar to audiences in London's Theatreland, has a one-man cabaret act that revisits some of his favourite roles and offers a few surprises along the way including his emotional rendition of You Raise Me Up, a fitting finale to the fine selection of performers showcasing their work


                  
  Paul Vale  ... The Stage June 29, 2006